The silent object

One of our favourite shots from our April/May issue is a Patrick Reynolds classic: a beautiful cedar-screened home on the shores of Lake Tau...

Our new cover

We're off to the printers today to press-pass the cover for our April/May issue. It features a beautiful shot by Paul McCredie that was ...

Design Awards 2009 finalists

We happily present the finalists in our Design Awards 2009 - our picks of the best New Zealand furniture and homeware of the past year. The...

Miles: A Life in Architecture

We know we're biased, because we're one of the sponsors of the exhibition, but we thoroughly recommend you visit the Christchurch Ar...

Edward Barber's judging duties

We're really excited that this year's Design Awards jury will include an international judge, Edward Barber, of the London design fi...

Entries to our Design Awards closed last night - we received over 80 of them, which is a pleasing response. Last year's winner, Guy Hohm...

Designing from the inside out

The Arrowtown architect Max Wild, who designed a home that was a finalist in our Home of the Year award in 2007, has another home in our upc...

Lots of people have been asking us about Anton Parsons, the artist whose sculpture, 'Numbers', features on our current cover, on the...

One of the nice things about focusing on 'Art Houses' in our current issue is that it gave us a good excuse to photograph the Auckla...

Here's a little tease of something that's coming up in our April/May issue (out in the first week of April). It's a home we'...

The latest issue of San Francisco-based Dwell magazine is a focus on Australian and New Zealand homes, with the coverline "Why are the...

Art collectors Jim and Mary Barr have conducted a quick compare-and-contrast of the artworks in two of the homes in our latest issue: that o...

Here's our latest cover, featuring a house in the Waikato by Lance and Nicky Herbst of Herbst Architects. We agonise over many of our co...